Steven Parrino
Steven Parrino
  • Išparduota
Steven Parrino, by the mid-1980s, at the latest, he had become one the most important artists in New York and influenced younger artists internationally in their own work; he especially promoted young women artists. His artistic activity was primarily in the realm of painting, but music played a role that was at least as important for his artistic practice. He was equally interested in high culture and subcultural phenomena and understood, in a unique way, how to combine these worlds productive…
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  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 208
  • ISBN-10: 3960988427
  • ISBN-13: 9783960988427
  • Formatas: 21.2 x 24.9 x 2.5 cm, kieti viršeliai
  • Kalba: Anglų

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Steven Parrino, by the mid-1980s, at the latest, he had become one the most important artists in New York and influenced younger artists internationally in their own work; he especially promoted young women artists. His artistic activity was primarily in the realm of painting, but music played a role that was at least as important for his artistic practice. He was equally interested in high culture and subcultural phenomena and understood, in a unique way, how to combine these worlds productively. Drawing on various sources, Parrino created an oeuvre of painting and music that contradicted increasing social and cultural conformism and also provided a fresh and intelligent contribution to the debate on modernism's demise. This publication is the first monograph on Parrino ever. Text: Konrad Bitterli, Catherine Dossin, Reinhard Ermen, Fabian Flückiger, Amy Granat, Pierre Huber, Friedemann Malsch, Matthew McCaslin, Olivier Mosset, Bob Nickas, Steven Parrino, Mai-Thu Perret, Amy O'Neill, Rolf Ricke, Marc-Olivier Wahler

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Steven Parrino, by the mid-1980s, at the latest, he had become one the most important artists in New York and influenced younger artists internationally in their own work; he especially promoted young women artists. His artistic activity was primarily in the realm of painting, but music played a role that was at least as important for his artistic practice. He was equally interested in high culture and subcultural phenomena and understood, in a unique way, how to combine these worlds productively. Drawing on various sources, Parrino created an oeuvre of painting and music that contradicted increasing social and cultural conformism and also provided a fresh and intelligent contribution to the debate on modernism's demise. This publication is the first monograph on Parrino ever. Text: Konrad Bitterli, Catherine Dossin, Reinhard Ermen, Fabian Flückiger, Amy Granat, Pierre Huber, Friedemann Malsch, Matthew McCaslin, Olivier Mosset, Bob Nickas, Steven Parrino, Mai-Thu Perret, Amy O'Neill, Rolf Ricke, Marc-Olivier Wahler

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